ADVERTISEMENT

Variety in the Freshwater

What we need to make the difference.
Reading Time: 3 minutes

All eyes are on the top five surfers on the Men’s Championship Tour in Lemoore, while some of the underperforming surfers like Julian Wilson, Sebastian Zietz and Jack Freestone to name a few are feeling the glare of the spotlights, as sponsors, fans, supporters and family members watch on to see if they can pull themselves out of the quicksand that is their current 2019 campaigns.

The one point that has been made quite succinctly I might add, is that there are very few tactics to employ at Lemoore. “Lets face it, it’s not rocket science,” said Ronnie Blakey on opening day.

There is no need to guess or second-guess your opponent, there is no need to think about priority, and there is no need to worry about the wave behind the one you’re paddling for. Basically, there is less chance of making dumb mistakes.

This does have an equalizing effect, because it now means that those surfers with intense tactical skills no longer have that much of an advantage, and lesser tactical-orientated surfers (read: boneheaded) are now with an advantage. The actual tactics no longer exist, and the difference lies in the surfing skills and techniques.

The three things that are going to separate winners from losers throughout the tournament are the following:

1. Backhand barrels. To watch bigger guys like Jordy, or somewhat cumbersome surfers like Willian Cardosa and Owen Wright contort and grimace into ill-fitting backhand tubes in an attempt to scrape a few more points is uncomfortable to watch, and does not fit into the free wheeling high-action paradigm that the wave pool is aiming to portray. Many backhand tubes are blown, like Owen getting too deep and messing up what could have been an excellent score. Maybe a backhand air, like a solid boost with a twist, will score more points than those grimy little barrels.

2. Frontside barrels. They’re obviously a lot harder than they look, because there were plenty of botched barrels, with surfers continuously getting too deep and thus getting sucked into the maw. Never having surfed it, novice riders talk about the barrels section ‘not revealing itself’ and being ‘difficult to ride.’

Many rides will be won or lost on a barrel being made or not. The actual time in the barrel is somewhat vague, and depth needs to be looked at closely. M-Rod was barely in the barrel in his flat-line ride today. A really long barrel might not necessarily score higher than a second or two of a deep, tricky barrel. There is also the conundrum of making identical barrel sections look interesting. If you figure out the barrel section (by aligning a marker on the train with a certain marker on the fence, or something) what can you do to make two barrel rides different? Who will be the first to attempt and pull off something new and as of yet unnamed in the barrel?

3. Going to the air. It seems that the offshore wind that seems to sit around the right-hander is quite strong in the morning, and tends to push surfers over the back on some air attempts. Then again, in a bid to compensate for the wind, many surfers attempted airs in too critical a part of the wave, often landing in a barrel or on a barreling lip, with little success. Once again, easier than it looks, and with a deeply engrained ideology that rides need to be run through to the finish – two to the concrete beach – there are many surfers who are not going to go near to the air, and will instead smash countless repetitive turns in a bid to get enough from the judges to beat anyone attempting risky moves and failing. Mateus Herdy was incredibly repetitive, Kanoa blew his air attempts, as did Owen.

Those three elements, the backhand tube, the forehand barrel section and the air play, and how they are going to be treated, are not going to make winner or losers, but they are going to provide spectators with much-needed variety. Without variety people are going to switch off their screens. The whole thing just seems slow.

As Jeremy Flores, said post-run, “I find it hard to take this event seriously.”

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

Twelve editions in, Capitulo Perfeito finally went beyond Portugal, and Desert Point hosted its first-ever competitive event.

A hard drive dump of Indo goodness.

Hawaiian Makana Pang also takes up the last international wildcard spot in the event.

ADVERTISEMENT

PREMIUM FEATURES

Soli Bailey and Sheldon Simkus on the hunt for unmarked treasure.

Sydney surfer, Andrew Quilty, went to war-torn Afghanistan to photograph a cricket team. Eight years later he was still there.

Soli Bailey, Dakoda Walters, Harley Walters & Zac Skyring chase hollow dreams.

An 8,000km bike ride through Europe and Africa with surfboards in tow.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks