ADVERTISEMENT

The Politics of Surf

Phil Jarratt reflects on Nat Young's foray into politics.
Reading Time: 3 minutes

The first time I met Nat Young (the original) was 42 years ago at a dive in Woolloomooloo with peanut shells all over the floor. The occasion was the presentation party for the inaugural Coke/2SM Surfabout contest, then the world’s richest.

The big bucks ($5000 total purse) had dragged the two biggest names of the 1960s out of retirement, Midget Farrelly from his boatshed shaping bay at Palm Beach, Nat from his north coast Nirvana where he was the figurehead of the country soul movement, in which the competitor’s jersey had been swapped for the higher consciousness of organic food, eco-awareness and heaps of dope. But five large is not to be sneezed at, so Nat had put the dogs in care and driven down from his kingdom.

Considering the facts that he’d been a hero of mine for a decade, awe had struck me pretty much speechless, and as a reporter for the Sunday Telegraph I had presented in a striped suit and tie, the conversation went quite well. We talked politics. He told me how Labor was the only hope for the country, and that we all had to politicize and help get Gough Whitlam returned. I told him I’d campaigned for Labor in Canberra in 1972 to get out of National Service and would do so again. It was a pretty selfish reason, but Nat seemed to approve.

The bar was packed, hot and steamy when Nat was called up to receive his third place trophy and $600 winnings, but it was about to get hotter. Nat made the same political speech I’d just heard in private, held up his cheque and announced that he was going to donate it all to the Australian Labor Party. The audience was about evenly divided between hooters and cat-callers, the executives from Coke and 2SM looked horrified as the cameras whirred and the flashes popped.

Nat Young had just turned their megabuck marketing extravaganza into a political stunt for the bloke who was trying to get loans from the Iraqis to keep the country afloat! Not even Michael Peterson’s classic non-speech and darting eyes could rescue the fact that the show had been hijacked.

Following up the story, a few days later I accompanied Nat to the Sussex Street headquarters of the NSW Labor Party, where at a full media photo call, he was to hand over the fat cheque to the national secretary of the ALP, a beefy, bespectacled bloke named David Combe, who, unbeknown to us at the time, was the actual bloke trying to stitch up the Iraqi loan. After the photo op, Combe invited a few of us back to an office for beers. He was chuffed, slapping Nat’s back and trying to talk surf. This was going to go a long way towards delivering the rebellious youth vote, one that Whitlam had certainly had when he came to power 18 months earlier, but had started to slip away.

Over the years, I’ve occasionally reflected on that meeting, the visible bridge between party politics and youth culture, the invisible divide that lay behind it. Of course David Combe was not to know of Nat Young’s frequent public endorsements of marijuana and the alternative lifestyle (“Simply by surfing, we are supporting the revolution,” he wrote in Tracks in 1971), and Nat could not have known that Combe was a dirty pool deal-maker, up to his armpits in the loan affair, and later to be expelled from the Labor Party over allegations that he had been compromised by the Russians.

Politics makes strange bedfellows, and nothing is ever for nothing. A couple of weeks later Nat Young sat beside Gough Whitlam at Labor’s campaign launch at the Sydney Opera House. He was the 1974 campaign’s Little Pattie. At least he didn’t have to sing “It’s Time”.

I satirised the whole episode in an article for Tracks called “As tall as a Grafton jacaranda”, in which I postulated that Nat could very well run for prime minister himself at some future election. Nat took it in good spirit, and indeed he did later seek a political career, running unsuccessfully for the NSW seat of Pittwater in 1987 as an independent campaigning on ocean pollution prevention.

There have been other real surfers who have made an impact on Australian politics, notably NSW Green Ian Cohen and Midnight Oil’s Peter Garrett, but far more common is the politician who comes out of the closet as a surfer only after having climbed the slippery pole. Tony Abbott is the most obvious case, a very late adopter who sadly dragged his mate, NSW Premier Mike Baird (a real surfer) down with him.

Sorry, Mike. A few too many photo ops kooking it out with the Mad Monk to retain any surf cred.

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

The surfing world's introduction to the blossoming career of the 18-year-old WA charger.

The WSL CT surfer reconnects with her Danish heritage.

The apprentice Plumber with a knack for installing himself in roaring Pipes.

The surfboard glassing and manufacturer caught fire on Sydney's Northern Beaches last week.

ADVERTISEMENT

PREMIUM FEATURES

Why Milla Coco Brown’s unfiltered, full-throttle approach has everyone paying attention.

The tight-knit brothers redefining the scope of a modern surfer.

Three decades behind the lens with Andrew Buckley.

Joel Parkinson 2001 - Tavarua Island portrait and Cloudbreak carve.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks