ADVERTISEMENT

Russ Ord gets it Right with ‘One Shot’

Unforgettable slab shots don’t come easy.
Reading Time: 6 minutes
Russell Ord likes a challenge. After the former, first grade Rugby League player, and fireman, reinvented himself as a top-flight surf photographer, he spent a decade furnishing the pages of surf mags around the world with his images.

However, as a glut of digitally-armed newcomers capitalized on improving camera technology and swamped lineups, Ord wanted to do something that would distinguish his act from the pack. He decided to narrow his focus and reduce his photographic ambitions to a singular, somewhat brutal objective­ – swimming as close as possible to a bend of ocean at the notorious ‘Right’ and capturing a surfer from that frightening perspective. Get it wrong and there was a good chance he’d be buried at sea, get it right and he might just get ‘The Shot’.     

ONE SHOT- An Image and An Attitude from Farmhouse Films on Vimeo.

The personal quest evolved into a full-scale project that was documented by filmmaker Darren McCagh.‘One Shot’ follows Russ as he physically and mentally prepares to shoot The Right from the impact zone.

Punching bags are hit, lung capacity expanded, cameras modified, logistics mapped out and families quizzed about their thoughts on dad’s crazy idea. The film is ultimately an artfully compiled mixture of doco-drama and compelling heavy-wave imagery.

While big wave surfers are frequently mythologized and psychologically analyzed, rarely are we given a window into the world of the photographers who crystallize their conquests. In a surfing medium that demands increasingly more mind-blowing images, ‘One Shot’ is an entertaining insight into what it’s like to put yourself in the path of the ocean’s giants and pull the trigger.
Below, Russ Ord responds to a few questions about the project.  To view the full length film go to    https://vimeo.com/ondemand/oneshotdoco        

What was the motivation to zone in on one particular photo at one particular wave?

It just worked out that way in the end, because it was the easiest place for us to get to when a swell popped up­ – plus we had all the resources available for us to make it happen. I actually had a number of waves on the wish list to swim at, however after a couple of unsuccessful swell runs and a declining bank balance “The Right” became the wave.

In that moment when you decide to swim as close as you can to the vortex of a giant, gaping slab do you have a heavy encounter with your own fight or flight mechanism? What do you say to yourself?

I try and take my time to suss out conditions, escape routes if any and just get the general feeling of the ocean until I feel comfortable plus the cold water helps with the heart rate. I do talk to myself at times like when I was playing footy back in the day, its never a nice conversation its more along the lines “stop being a pee heart” (toned it down a bit) and get in there. There were many days I was down on myself because I didn’t have a real dig.

Russ raises his right arm for the shot as The Right does its thing.

A shot takes a split-second but what sort of preparation are we talking about?

As a surfer myself of many years who loves a bit of a challenge I was pretty comfortable reading what the ocean did out there. However to feel far more comfortable I did work on my breath holding techniques, especially under duress. Looking back on it now, it’s certainly a 99% mind game or the lack of one.

Director Darren McGagh in the saddle.

The movie has high production values and a definite aesthetic quality. It seemed like you and the director, Darren McCagh, wanted it be raw and honest, but also beautifully shot. 

I have shared an office and been friends with Darren for a number of years. We have worked on a number of creative projects together and every single time he nails it. He is extremely hard working and driven to become better every time he picks up his camera. Darren had only been shooting for a handful of months when we first started working on it, so when he looks back on some of the work he hates it. Raw and honest was the only way it was going to be. I cringe at times when I see it, because I feel I have grown as a person, however that was what it was like at the time, so be it. Plus as much as I try to convince the wife I was Brad Pitt in a past life (with no success, not sure why) I am no actor

Justen Allport on the run as the ocean tries to pour concrete on his head.
Talk us through the variables that you are considering in the moment? Surfer position/camera position/ your position/ swell angle /timing?  

I had a company call me one day and said we want the one shot to be so and so. That’s not how it works for me out there, I am just not that good, whoever is on the wave when I finally happen to be in the right place gets the shot. Brett Burcher was looking the goods years ago (would have saved me some swimming time) until he hit a small bump and became one with the lip, a little short of my position. My whole focus is completely on the ocean itself, I am not trying to be arty with it; all I want to do is be in the barrel with the surfer, having a moment that I can look back in time and say that’s a Russell Ord shot, there is not many of my shots I can do this with.

What rig were you shooting on? 

I had a number of different cameras over the time from the larger Nikon D3 to smaller versions and now for the last few years the mirror-less FujiFilm cameras – all housed by Aquatech.

Russ and his rigs

You are an ex-professional Rugby league player. Given the choice, would you take a hit from the biggest and hardest player in the game or a rag-doll at The Right?

I still love watching the game and I would have far more chance surviving the Right so I will take the wave. I never really knew if I was going to make top grade because when I signed for the Adelaide Rams they were basically getting booted from the comp with the Gold Coast the first day I arrived at training. Anyway our coach Dean Lance and Peter Parr set this session up where myself and a few others were getting completely bashed by the forwards (including Terry Hermansson who was the NZ prop) I had never been hit that hard for so long. It was a complete toughen you up session and going home that night I had some serious self doubts.

 
Do you feel the need to set a new challenge for yourself?

I certainly have created some more goals and challenges for myself, but they don’t relate to surf photography. I recently moved from Margaret River (18yrs) to New Zealand. My wife and I have a lifestyle block up North and the goal is to go self-sufficient, learn new skills as a farmer and get me-self some moonshine. We are also about to go on the road while the barn gets built and create content along the way. The ‘if you build it they will come’ mentality, good times, a few waves along the way and new experiences. People tend to regret only the things they have not done, planning for a future life is not my style, live it now and see what happens is far more exciting.

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

The surfing world's introduction to the blossoming career of the 18-year-old WA charger.

The WSL CT surfer reconnects with her Danish heritage.

The apprentice Plumber with a knack for installing himself in roaring Pipes.

The surfboard glassing and manufacturer caught fire on Sydney's Northern Beaches last week.

ADVERTISEMENT

PREMIUM FEATURES

Why Milla Coco Brown’s unfiltered, full-throttle approach has everyone paying attention.

The tight-knit brothers redefining the scope of a modern surfer.

Three decades behind the lens with Andrew Buckley.

Joel Parkinson 2001 - Tavarua Island portrait and Cloudbreak carve.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks