ADVERTISEMENT

High Anxiety

Anticipation meets reality in an anecdote about an Hawaiian paddle out.
Reading Time: 3 minutes

It was late in the afternoon in Hawaii, and my mind was at rest and contemplating a beer and a long and hard session in front of the box. That morning had seen us getting a few at Backyards (out behind Sunset) on a growing swell that had jumped from 2-foot to 4-foot while we were out there. Those chilling stories of able-bodied surfers paddling out at Velzyland on a 3-foot day and coming in through 40-foot faces at closed out Waimea Bay still resonated, but it wasn’t as bad as that. Surf done, pressure off, a bit of work under the belt, it was beer o’clock.

I was hanging out with an Eddie invitee, and he had been watching the swell all day, waiting for it to be deemed worthy of a paddle out. At about 4pm he said to me,

“It’s happening now. Let’s go.”

As part of my work detail that year I had promised to go for a surf with him in decent conditions, and sit in the channel, safe under his wing and guidance – it was an opportunity experience a bit of what it’s like to challenge the North Shore. Being a 3-foot beachbreak kind of surfer, this was going to be a session that would help to round off the North Shore experience, but I was nervous.

“I’m not really into it now,” I said, hoping that truthfulness would be the quickest route to a solution.

“Come,” he said with a smile, “Let’s just do this thing.” He handed me a 7’2 blade, of which I was instantly skeptical.

“Don’t you have anything a bit fatter and wider?” I asked. “More foam under the chest? What about some more meat in the tail? More tail? This board doesn’t have a tail, so to speak. Do you have a board with a bit more tail?”

We walked down the path to the beach and alighted behind Backyards and started walking west towards Sunset. The sun was in decline, rolling down towards Kaena Point to the west, but we could see movement in the ocean. He stopped just ahead of me and gazed out across Sunset.

Sunset, like Waimea and Pipe, has a whole history of drama, of two-wave hold downs, of near drownings and shorebreak nightmares that are part of surfing lore, imprinted into the subconscious from the time when magazines and movies were the only real medium, when journalists reported with awe, when surfers were demi-gods who walked the earth, when surf photographers were kingmakers and when the drama of the North Shore was unparalleled in a year’s worth of surfing around the planet.

As more and more of the North Shore was revealed by the Internet and by thousands of smart phones, and as young kids started paddling out at macking Sunset and Waimea, so the imagination slowed down a bit and reality set in. The imagined thrill of the North Shore, of the so-called ‘life and death’ situations happening daily in the water, were supplanted by more trivial content about bumping into hung-over surfers in Foodland, chats in Starbucks queues, of Instagram and of surfers going ham at parties,

Underneath it all, if the truth be told, I was still attached to the giddy times of Hawaiian big wave surfing romanticism. An era when every surf session pushed a surfer’s physical and mental limits. When surfers confronted fear and demons daily. When to simply survive a session was a feat. Of sets closing out across The Bay, and of a surfer popping his shoulder and getting tag-paddled across from certain doom on the west rocks.

So when this fellow I was with told me that he knew of a channel between Sunset and Backyards, I felt a bit like Mike Stang having to paddle out at Waimea behind Greg Noll in 1957 into absolute uncertainty. I was absolutely uncertain.

My heart was pounding. We walked along the coral until we could go no further, and launched into the turbulence. Instantly I was on a hell ride of a rip, being sucked out to the big Sunset peaks while grazing my knuckles and holding onto the blade. A few little push-up style duck dives and I was in clear water.

“Paddle,” said this dude, who I was starting to loathe. “There’s a set coming from the north.”

It could have been coming from the fucking Sea of Okhotsk for all I cared. I put my head down and paddled, straight out. I cleared the set, and saw another set coming from the west. So I continued to paddle out. Before long I was far out to sea. I turned around and got perspective: I was too far out. I paddled in a little.

I paddled for a couple, but didn’t get close. Then I caught a decent-sized shoulder and rode a bit. The blade went fine. I caught a few more, chatted to two other guys in the line-up, and then I got caught inside. Took two solids on the head before catching a whitewater in.

The reality of it was that it was all a little anticlimactic, and not that heavy at all. It’s as if the suspense of a wipeout is worse than the wipeout itself.

 

The Vans World Cup at Sunset Beach the final QS event of the year, starts on the 25th – event site here http://www.worldsurfleague.com/events/2018/mqs/2854/vans-world-cup

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

Featuring local surfer, style enthusiast and alternative craft connoisseur Thillina Mayuranga.

Featuring soon-to-be CT Saffer Luke Thompson and more of the country's best surfing talent.

March has been non stop action on the Goldy.

Surfing rockstar double act Kyuss and Rasmus King, alongside talented drummer Bon, are making waves in the Aussie rock and grunge scene.

ADVERTISEMENT

PREMIUM FEATURES

Why Milla Coco Brown’s unfiltered, full-throttle approach has everyone paying attention.

The tight-knit brothers redefining the scope of a modern surfer.

Three decades behind the lens with Andrew Buckley.

Joel Parkinson 2001 - Tavarua Island portrait and Cloudbreak carve.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks