ADVERTISEMENT

Mirage: A Mini-doco’ on Skeleton Bay

Exploring the fleeting magic of Skeleton Bay
Reading Time: 6 minutes

Overview from the filmmakers

Since it was unveiled in 2008, Skelton Bay has become part of our everyday lexicon, a synonym for never-ending sand-bottomed tubes. But unlike Pipeline, G-Land, or [insert your preferred iconic world-class wave here], the two-kilometer-long left on the edge of the Namib Desert is in a constant state of flux. If satellite imagery is anything to go by, the wave we know today didn’t even exist 30 years ago.

Mirage is a 15-minute doccie that traces the genesis of the Namibian sandspit and how it became one of the most sought after waves on the planet, as told by pioneering locals and some of the best tube riders in the world. Check the trailer and interview below and look out for the full film tomorrow.  

Interview: 

Photographer, Alan Van Gysen is a Skeleton Bay veteran and also one of the film’s co-directors. Below he discusses the myths, mayhem, and marathon mindset associated with the Namibian left-hander where tube-time records are regularly set.      

Can you recall your initial reaction when you saw Skeleton Bay turn on? When was that? 

The first time I saw Skeleton Bay turn on was in 2009 en route to Angola. Three friends and I were driving from Cape Town to the top of Angola and back exploring all that Angola had to offer. To break up the trip we stopped in Namibia and just happened to arrive at the same time as one of those yearly epic west swells. The waves were 4-6ft and just perfect. This was less than a year after ‘Surfing’ magazine dropped its Google Earth Challenge feature.

How many waves around the world compare to it? 

I’ve seen a few waves around the world that have similar shape but only for a fraction of the length of Skeleton Bay. There are a few special waves like The Superbank in Australia, The African Kirra in Mozambique, “Fanning’s” ‘Snake’ etc, but those are all warm water rights. I’ve never seen another cold water left as harsh and heavy as Skeleton Bay.

A Skeleton Bay tunnel stretching endlessly towards a flamingo horizon.

When you know it’s going to be breaking do you get twitchy? Feel the pull to jump in the car and get there? How long is the trip for you? 

When the southern hemisphere autumn kicks into gear around April/May I start checking the forecast for Namibia every day, and get very twitchy when a big system shows up for Dungeons in Cape Town and tracks toward Namibia. 3-5 days out the messages start pouring in from around the world and the buzz starts. Car or plane, those that know start ditching work, family, and responsibilities to be there. The drive from Cape Town is 24-hours, but I’ve been fortunate enough to have flown there for the last few years. Flying might sound quicker, but almost every year on every major swell someone’s flight doesn’t make it and they are rerouted to Windhoek or Johannesburg due to the flog and terrible landing conditions in the desert. Then you’re left scrambling into a car anyway. It’s never straight forward getting there.  

Is it a challenging wave to photograph? Some of the best waves ridden have been obscured by mist. What about swimming out there? 

Skeleton Bay is probably the most challenging wave there is to photograph ever. Filming even more so. There is no point of elevation; 230 plus days of the year are fogged out till midday, the current is the strongest in the world, and it requires the utmost attention to every facet of training there is – nutrition, endurance, hydration etc. In Koa Smith’s words, “You have to train as if you’re doing a marathon.”

Tube miner Koa Smith tapping a vein in a region known for diamonds and priceless waves.

Best wave you’ve seen? By who?

The best waves I’ve ever seen surfed out at Skeleton Bay were by Craig Anderson in 2012 and Koa Smith in 2014. Top to bottom, 2km’s, and countless minutes in the barrel. Koa won GoPro of the Year award that wave.

William Aliotti in that rare space where the reality eclipses the fantasy

Have you tried surfing it? Hard to watch as a surfer and not get out there?

I have surfed it a few times, but I’m far more effective behind the lens. I grew up at a shallow, slabby left, and I’m fairly proficient at my backhand tube-riding, but even so, it’s not easy. The best I ever had was a grower late one evening at the very bottom of the point with no one around. I somehow made the drop, pulled in and just went and went until the closeout end-section swallowed me whole and washed me up the beach dizzy and covered with Namib sand.

Do you feel that you may literally be documenting a mirage? Something that is here now but maybe gone tomorrow? 

My personal belief is that Skeleton Bay is the product of the perfect climatic conditions that are cyclical. There are cycles within cycles. We may be in a 30-year cycle where the spit is aligned and whole, but who knows. 30 years ago, it didn’t exist as far as satellite footage shows. We’ll see.

Skeleton in a mutant mood after the sand shifted.

People will always try to make the pilgrimage. What are some of the key factors to be wary of? E.G Exhaustion, Board snaps, sharks, take-offs, jackals? Hold Downs? The walk back? 

For those who don’t live in Africa or Europe, just getting to Namibia is a hurdle to overcome. Connect with someone in the know, and get the “heads-up” seven days out and start the journey. Once there, I think fitness, hydration, patience, good boards, take-offs and the walk back are some of the major issues to know and focus on. Pace yourself. I’ve seen people sprinting up the point and going all in in the first hour only to see them later shattered and unable to surf. Conserve energy and slow down. Take it all in. It’s like nothing you’ll ever see or experience.

Exhaustion is a serious threat, particularly if you go too hard too soon. Local law stipulates no taxi rides up the point, so you have to walk back every time.

I’ve heard that Leo Di Caprio travelled to Walvis Bay, the nearest town to Skeleton, to work on his accent for Blood Diamond. Is that true?

As far as I am aware yes. Many other great actors have worked in Walvis Bay for massive movies. Charlize Theron for Mad Max, Brad Pitt for Troy etc etc. Namibia relies almost solely on tourism to survive.

It might be the world’s longest barrel but access is frequently denied courtesy of the beyond vert’ take-off.

  
Are there other Skeleton Bays out there? Can we get to them or are they protected by the Diamond Mines?  

There are a few other sand points in Namibia, but nothing like Skeleton Bay – not hollow enough and reeling as mechanically. They are also in Diamond areas, which you need to have a concession to get to. The closest version of Skeleton Bay I have seen is in Angola. Slightly longer, but more tame and surfable. Some barrels section, but overall a more mellow version.

‘Mirage’ – The ever-changing story of Skeleton Bay was written and directed by Will Bendix ( @will.bendix ) and I ( @alanvangysen ) and produced by ( @nownowmedia ) filmed and edited by Calvin Thompson ( @calvinthompson_films ) with an incredible amount of support from the surfers in the film and many filmers thanked and mentioned at the end of the film. Without them we wouldn’t have been able to produce the quality we wanted

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

Carissa Moore keeps it real as stoked surfer asks, ‘Did you see my wave?’

Torren Martyn and Ishka Folkwell attempt to circumnavigate Tasmania in sailing kayaks in search of remote waves.

A personal log of identity in flux.

A reminder of Jordy's powers and the beauty of Australia's wave rich East Coast.

ADVERTISEMENT

PREMIUM FEATURES

With his dizzying acrobatics, focused ambition and astute demeanor; Dane Henry is rapidly emerging as the ultimate modern surfer.

West Australian photographer, Adam Serra, is hooked on shooting the waves and culture of this vibrant, Japanese city.

How two waves at a city beach made Tommy Myers a cult hero and helped complete his full circle journey as a pro-surfer.

Surfing’s ‘No Go’ zones have always been hotly debated.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks