ADVERTISEMENT

I’m not sorry I went to Bali

A personal log of identity in flux.
Reading Time: 4 minutes

While they drape the sarong around our waists, one of them asks if we’d like to do the holy water purification ritual because it requires a different kind of sarong, and points at the green one. My niece looks at me with a face that, if words could visualize, meant, “not in a million years.” So, I politely refuse. Growing up in India I’d seen plenty of rituals promising almost the same things in every Hindu temple I’d visited all my life. This is during the weekend we decide to explore Ubud and a bit of East Bali, after a strong start at Uluwatu where the waves felt too overwhelming and I needed a break.

Reaching any Southeast Asian country is probably the closest and cheapest option for travelers from India. But I was saving Bali for later – until I could meet certain parameters I’d set for myself: I should surf my home break without the anxiety and mental preparation I often go through every time I paddle out and I should stop quitting the beach entirely during cyclone swells. So, while for most Indians, Bali is an easy, accessible island and the most desired tourist destination, for me it felt like a prize I could only truly claim after crossing these thresholds I’d set.

But here I was, landing earlier than planned, after the visa office shattered my European summer dreams.

On my first day, I sat at Ombak Warung with a banana smoothie, trying to decide what was doable and what was not. “Too tight take-offs,” I noted after watching the hungry swarm alternate between successful drops and wipeouts at Bingin. Impossibles, on the other hand, was enchanting, lines of swell stretching with magical promise as they rumbled down the Bukit – but these were still waves I knew I could never touch.

Corduroy left lines are a common feature of Bali’s bukit.

The next morning, at 6am, I headed to Dreamland. It had been a long time since I’d surfed in water this blue. The lineup was crowded, around thirty surfers jostling for waves on the reef. Between sets, a couple of them asked where I was from, my ethnicity and accent unfamiliar in the lineup. I answered and shared a little about Indian surf breaks. The next day, I realised the things I had to train my mind to face weren’t just long paddle outs, big waves, or crowded lineups. I had to add another factor: being the only Indian woman surfer.

In the water, I was a surfer representing a diaspora, on land it was easier. Though the contrast between worlds was apparent. The island pulsed with Western, surf culture – Australians flicking their sun-bleached hair, cafés serving smoothie bowls, boards stacked on scooters; yet at its core this ‘island of the gods’ was layered with habits, rituals and offerings I’d known all along.

A week or two into my time in Bali, I stopped at an Indomart to grab some snacks. The cashier asked me something in Bahasa, and when I looked confused, he quickly switched to English. He smiled and said he thought I was local. I often take pride in passing as someone from around – just like after seven years in Southern India, far from my home, I finally began to blend in. Maybe that’s why surfing at Kuta felt more welcoming and less surprising for others. To outsiders, I wasn’t entirely foreign. To locals, I was geographically closer to the Bollywood stars they obsessed over, still familiar, though still the only Indian woman in the water.

Western culture influences every corner of Bali.

Being the only woman in the water wasn’t new to me and over time I’d picked up traits that came with the turf: always sticking to the shoulder, avoiding the fight at the peak – even where just ten people felt like a crowd; waiting for the men to miss a wave so I could try from the shoulder; and, most of all, being overly apologetic. I do confess to being guilty of hoping others wouldn’t make a section so I might get a chance, but if I tried to take off at the peak and failed, I apologised again. An American linguist, Deborah Tannen, once explained that women often apologise not because they’re wrong but to maintain harmony. So, it’s a proven fact that women tend to apologise more, especially in spaces where they need to be assertive. I’d carried that practice into the lineup – where things go wrong all the time, no matter who you are.

Somehow, in Bali, all that disappeared. The women were not drastically outnumbered, nor did they hesitate to take up valued lineup positions. Surprisingly, the men had no interest in interfering unless asked; it was almost as if everyone knew what they were doing.

I knew I wanted to return to The Bukit before my trip ended. On my last day, I went back to Dreamland and watched a few waves bend into barrels. The swell was supposed to die down that day, but it was still more than enough. I’ve never been barrelled, and I imagined myself taking the smaller waves and tucking in; before my mind could wonder too much about who I was on on Bali, where so many people seemed intent on reclaiming their identities – was I an Indian-origin Australian, local Balinese or an Indian woman surfer. In the end only the waves mattered and I paddled out, thanking the gods for bringing me to their island rather than sending me to the West.

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

Ritual Vision, an eyewear cult made up of some heavy hitters, releases its first team feature film.

While all eyes were on J-Bay last week, another South African right hand point was doing its thing.

A recent swell damaged sections of the Uluwatu seawall, bringing renewed attention to a project that has sparked debate among surfers.

If your filmer tells you to get back out there, here's why you should listen.

ADVERTISEMENT

PREMIUM FEATURES

Soli Bailey and Sheldon Simkus on the hunt for unmarked treasure.

Sydney surfer, Andrew Quilty, went to war-torn Afghanistan to photograph a cricket team. Eight years later he was still there.

Soli Bailey, Dakoda Walters, Harley Walters & Zac Skyring chase hollow dreams.

An 8,000km bike ride through Europe and Africa with surfboards in tow.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks