ADVERTISEMENT
Legend Chandler living up to his name. Photo: Josh Bystrom.

How to shoot Pipe (and not have people hate you)

Josh Bystrom shares his tips following a three month stint shooting in Hawaii.
Reading Time: 5 minutes

There’s no doubt that Pipeline is one of, if not the most localised wave in the world. There’s a clear pecking order and the personnel may change throughout generations or differ as people earn respect by putting their time in at the proving grounds. It’s one of the most dangerous waves and busiest lineups in the world and so, a sense of order is much needed. This doesn’t just apply to surfers, it works the same with the photographers too. Every cover shot hungry lensman or woman can be seen swimming on the inside at Pipe, vying to get their dream shot which they have envisioned in their head. In order to avoid chaos, there’s a pecking order and an element of respect involved.

Gold Coast Photographer Josh Bystrom recently spent three months during the Hawaiian winter shooting at Pipe, which has included shooting flash, fish eye, drone and on land.

We hit up Josh to get the low down on the photographers pecking order at Pipe and asked him to share some of his tips for shooting at Pipe. Check out what he had to say below:

Growing up shooting primarily right hand point breaks on Australia’s Gold Coast I hadn’t seen much resembling a photography pecking order in the water. Usually it’s more of a free for all where you swim out up the top at places like Snapper Rocks and inevitably get flushed down the lineup by the current. There are days where, with a lot of east in the swell, you can sit up the top and have a full session without having to run back around but these are uncommon. 

On the contrary Pipeline I’d heard was the exact opposite and as I’d planned to spend the winter season there I was eager to find out more. I messaged a few seasoned photographers on the island prior to my arrival trying to gain a bit more insight into how to navigate the lineup. What swell direction is best for Backdoor? Who are the legends out there shooting to give a bit of space? How can I go about not treading on people’s toes. Those sort of things.  

Up close and personal with Joey Johnston. Photo: Josh Bystrom.

My first month on the rock the surf pumped. It didn’t really get under 8ft the whole time. The Pipe Masters ran (and scored) the Backdoor shootout ran (also scored). It was relentless. During this time I was like a student of Pipeline. Trying to get a lay of the land and get to know the other photographers by sitting in the pack by shooting a little longer. My lens of choice – a Canon 85mm f1.2.

I’d sit behind the more seasoned photographers opting to try to position myself a little closer to shore or slightly further out to not have them in the foreground of my shots. 

Only until I felt I had my bearings set was I ready to try shooting fisheye. I first started on the smaller days, around six to eight foot and as the season progressed I began scaling it up a little bit, shooting in the 10ft plus range and beyond. When I felt I was overstaying my welcome in the fisheye zone I’d swim over to Off the Wall or Backdoor for something different or try and shoot flash early in the mornings/evenings to try and keep everyone happy.  

An empty evening cavern. Photo: Josh Bystrom.

During this time there were a handful of others shooting fisheye too and I applied the same type of logic as shooting in the pack. The more experienced/competent shooter always sits in front of you. 

Pipeline is the sort of place where if you step out of line or push boundaries someone will let you know about it. There is a sense of competitiveness out there but also a lot of mutual respect. It isn’t easy being out there and at the end of the day everyone out there has each other’s backs should something bad happen.

This season, I made some mistakes but most importantly I learnt from them. I wanted to push my limits of what I felt I was capable of shooting and I felt I did that as respectfully as I could. 

Shooting in the water at Pipeline is an interesting dynamic, it takes time to figure out but what I will say is that I met some of the better people on the island in that photo pack. 

Leo Fioravanti eyes a backdoor exit. Photo: Josh Bystrom.

Here are some of my recommendations for shooting pipe after a three month swimming stint. 

  • Understand your boundaries – Pipe is a wave that demands respect. If you aren’t confident there are a lot of other quality breaks in the area you can cut your teeth on shooting first. 
  • Get your bearings, try shooting on the smaller days first, have a chat to the locals and lifeguards. Watch a big day and see how everyone operates getting in and out. Where they sit in the lineup etc. 
  • Show respect to the other photographers. If they’ve had more time in the water let them sit in front – By doing your time in that lineup you will know exactly who those people are. 
Noah Beschen locked and loaded. Photo: Josh Bystrom.
  • If you aren’t in the perfect spot don’t shoot the wave. There is nothing worse than someone causing a chandelier at the top of the wave for the surfer or unnecessarily being in someone’s frame. Ducking under a wave is good practice. 
  • If another photographer is shooting a pro and you are in front of that photographer have them point out exactly who that person is thoroughly enough prior so there is no confusion. Again ducking under a wave for another photographer goes a long way. 
  • Put some time in out there before you go shooting wide angle at Pipe. There may be windows to shoot at Backdoor or Off the Wall. Make sure you understand those waves before you shoot them as they can be very dangerous.
  • In the last hour of light, or golden hour as it’s known by even the best photogs out there will put away the fisheye and shoot a longer focal length. 
Mark Healey from above. Photo: Josh Bystrom.
  • Just because you can shoot wide doesn’t mean you need to shoot it all the time. Try and mix up the angles, fly your drone, shoot some landscapes. Shoot a little longer from time to time.
  • If there is a crowded photo pack (usually on the best days) shooting wide and putting your arm straight up in the air – statue of liberty style can ruin just about everyone else’s photos behind you. Instead make sure that you are in the right spot and try looking through the viewfinder or keeping your arms down if you can. 
  • Lastly, don’t show up there expecting any fanfare from the other photographers. Put your time in. Be as respectful as you can and in return over time you will earn their friendship and respect. 
    ADVERTISEMENT
    ADVERTISEMENT
    SUBSCRIBE TO TRACKS
    A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
    SUBSCRIBE NOW
    SUBSCRIBE TO TRACKS
    An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
    SUBSCRIBE NOW

    LATEST

    Featuring soon-to-be CT Saffer Luke Thompson and more of the country's best surfing talent.

    Featuring local surfer, style enthusiast and alternative craft connoisseur Thillina Mayuranga.

    March has been non stop action on the Goldy.

    Surfing rockstar double act Kyuss and Rasmus King, alongside talented drummer Bon, are making waves in the Aussie rock and grunge scene.

    ADVERTISEMENT

    PREMIUM FEATURES

    Why Milla Coco Brown’s unfiltered, full-throttle approach has everyone paying attention.

    The tight-knit brothers redefining the scope of a modern surfer.

    Three decades behind the lens with Andrew Buckley.

    Joel Parkinson 2001 - Tavarua Island portrait and Cloudbreak carve.

    TRACKS PREMIUM

    Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

    TRACKS PREMIUM

    Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

    CLASSIC ISSUES

    PREMIUM FILM

    YEAR: 2008
    STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

    This is the last time the original cooly kids were captured together and features some of their best surfing.

    Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

    A film by Shaggadelic Productions

    This is a Premium Feature only available to Tracks subscribers.

    Existing Subscriber?  Login here.
    YEAR: 2011
    STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

    Seven free surfers embark on a voyage to boldly go where no man had gone before.

    Seven free surfers embarked on a voyage to boldly go where no man had gone before.

    Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

    A film by Tom Jennings

    This is a Premium Feature only available to Tracks subscribers.

    Existing Subscriber?  Login here.
    YEAR: 2014
    STARRING: DAVE RASTOVICH

    The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

    Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

    This is a Premium Feature only available to Tracks subscribers.

    Existing Subscriber?  Login here.
    YEAR: 2015
    STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

    In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

    From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

    This is a Premium Feature only available to Tracks subscribers.

    Existing Subscriber?  Login here.
    ADVERTISEMENT
    ADVERTISEMENT

    PRINT STORE

    Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

    Tracks