ADVERTISEMENT

Bill Morris – Grajagan

When it comes to G-Land Bill Morris has enjoyed the view from every angle.
Reading Time: 15 minutes

Bill Morris’s infatuation with G-Land began a little over four decades ago. Since then, he’s answered the call of the jungle more than 20 times.

As a committed surfer he’s always juggled his barrel ambitions with his love for photography. Fortunately, G-Land with its otherworldly reef, critical tidal fluctuations, curious wildlife, and colourful pilgrims, is the sort of wonderland that facilitates immersion in both his passions. In the following feature, Bill recounts the hard-won glories of his first trip and provides insight into some of his favourite photographic moments over the years.

The First Time

In late September 1982, I arranged for my good friend, Jay Carter, who was already in Bali, to pick me up at Denpasar airport. I was 22, and after my first trip the year before I was totally in Indo’s thrall. Bali had lived up to expectations, but after seeing ‘Tubu-lar Swells’ my mind was already spinning with images of east Java’s jungle-fringed left, G-Land. The only problem was that Mike Boyum’s fabled camp was way beyond my budget.

When Jay met me he was with another guy, Jeremy Conekeny from Bondi. We all shook hands and straight off the bat Jay says to me, “Well, are you ready to go to G-Land tomorrow?” I was kind of stunned and confused, as we had already discussed the fact we couldn’t afford it. However, Jay insisted he’d found this Indonesian guy who was running cheap underground trips, right under Mike Boyum’s nose. His name was Ida Bagus, and he was charging less than half the price of the mysto American.

Bill taking off during his first ever surf at solid Money Trees.

The Trip Over Land

A rundown minivan arrived at our losmen just before midnight and three young Indonesians jumped out and began loading our boards onto the roof. We grabbed our bags and found a spot in the back amongst the few cardboard boxes of supplies and a 40-litre plastic drum of water. As our mini-van bumped and swayed along west Bali’s treacherous coastal road in the darkness, I wondered what lay ahead. What would the jungle really be like? Rumours of evil spirits and tigers roaming the beaches of a night were getting around which made us all a little apprehensive. Eventually, we arrived at the ferry port of Gilimanuk and waited for the next rusted old ferry to arrive. Driving over the swaying, gangway bridge onto the vessel was a little unnerving but the smell of diesel, wafting through the lower deck was unbearable. We exited the van, making our escape to the upper deck and cleaner air. The old ferry fought its way sideways across the strait, as it battled the strong, deep water currents that constantly flow between the two islands. Once on the other side, we were glad to be back on land again as our mini van continued on into the Java night. After another hour or so of driving, the sky began to turn a lighter shade of purple, as we descended into the heavily wooded teak forests surrounding Grajagan Bay.

We parked by the river inlet, waiting for the sun to come up. We were all trying desperately to get a little sleep after a long night, but strange faces began pressing against the windows – dark eyes peering at us from all directions through the glass as we sat uncomfortably in our seats. When it got light enough to see properly, we got out to have a look around, our inquisitive new friends in tow. They studied us like we were from another planet, watching every move we made as we took in our new surroundings.

Watching the perfect, empty lineup from our hut, in between surfs, was truly mesmerising.

The tide was still low and dozens of colour fully painted, timber fishing boats lay half on their side along the dark- sand shore of the riverbank. As the ocean slowly trickled in with the higher tide, the boats began to move and stand more upright, bumping one another as the old ropes that held them in place, moaned under the strain. Once our boards and gear were loaded, we began heading for the sea. Waves were breaking in the distance and when we finally reached the river entrance, we were surprised to see a perfect right hand barrel peeling across our exit point on the bar. We were all standing as the captain slowed the boat, waiting for a lull and our chance to get through the break. Everyone was gripping the long, bamboo boom that ran from aft to stern as the small boat rocked side to side in the swell. When the lull finally came we all shouted, GO! But the captain seemed frozen, his dark weathered face looking unsure as he nervously scanned the horizon. Our screaming taunts did nothing to change his mind as we drifted aimlessly inside the break. After what seemed like an eternity, he finally engaged the throttle of the outboard motor, and with a length of rope the deckhand lowered the spinning, eggbeater type prop over the side and into the water. As we slowly began to move forward towards the bar, I saw more dark lines appear on the horizon. We were holding on for grim death at this stage, as our tiny, timber vessel gradually gained speed. The next set was now looming and from the corner of my eye, I spied my 6’7” single fin laying against the side of the boat. I made the decision there and then that if things went south, I was leaping over the side with that board. It was extremely touch and go but after breaching the first two waves of the set, and landing hard over the back, we finally slipped into the safety of deeper water. Feeling very relieved and worn out from all the excitement and adrenaline, we each found the most comfortable spots we could, on the hard wooden deck, and fell asleep.

First Glimpse

Hoots and yelling startled me awake. As I jumped to my feet, I tried to adjust my vision to what was happening. In the distance, a perfect left was grinding down a very long, jungle-fringed point. Its constant warping barrel clearly visible as it endlessly folded its way along. It was hard to judge the size, as we were a long way away, but there was definitely surf! Excited laughter now filled the air, as our multi-coloured transport made its way down the reef, away from the wave. We noticed a large yacht anchored alone in the bay, as we slipped through a small gap in the reef, entering a shallow lagoon near the shore.

Posing off my winter tan just before getting underway for the three-hour crossing of Grajagan Bay.

A Cold Welcome

By the time we offloaded everything it was 1pm, the heat of the blazing midday sun hitting us hard, as we began walking the beach. I had arrived in Indonesia straight from the end of winter and was nowhere near acclimatised for the tropics. I had also made the stupid mistake of not covering up when I fell asleep on the boat and was now horribly sunburnt. After trudging close on a kilometre carrying all our gear, we finally arrived at what we thought was our camp. A few bamboo huts sat high on the beach against the jungle and as we approached them, a tall, sinewy figure in boardshorts emerged from the doorway and began walking towards us. It wasn’t the warm welcome we expected, his broad American accent cut through the heat with a condescending tone, “You’re not staying here, you’re staying up there”, and he pointed due south.300m away, a timber structure shimmered in the heat atop of a small rocky headland. As we picked up our boards and bags and began trudging once again through the blistering hot sand, I wondered why he had looked so pissed off and as the sweat oozed from every pore of my crimson, red body, it finally dawned on me. That was the mysterious Mike Boyum, and his KONI surf camp operation, which he had started back in ’76,was now being undercut by people like Mr Ida Bagus, who we were staying with for a much cheaper price.

Waiting for enough tide to take on the Grajagan River Mouth bar.

First Surf

When we finally arrived at the South Hut, which they called ‘The Fishing Shack’, we noticed the three Indonesian boys who had been employed to look after us, were all sick with stomach trouble. They told us they had been drinking out of the 40-litre drum of what was supposed to be our drinking water for the week. Rubbing his stomach, one of them just pointed to the drum and said “tidak bagus”. Luckily for Jeremy, Jay and I, we had still been drinking out of the few bottles of Aqua water we had purchased in Bali the night before. With the waves absolutely firing at a solid 6-to-10 feet, we forgot about any immediate problems and got ourselves ready to surf. These were the days before sunscreen, and all I had was a tube of white zinc. The back of my legs were so sunburnt, that I decided to surf in my new, long pair of Bali pants that I had bought the day before. I didn’t think my glowing red legs could take any more of the blazing, afternoon sun. The Fishing Shack was situated right in front of the take-off section of the wave, which we would later find out was called Money Trees. It was a good 300m paddle out across the reef, which was now completely covered by the high tide. Not knowing any better, we paddled straight out from in front of our hut and after being washed down the reef by a set or two, we finally made it out into the lineup. We could see people with surfboards, on the yacht in the distance, so we knew we would eventually have some company. As we paddled up the reef towards the take off area, marveling at the gaping, almond barrels that were grinding by, the worst case of butterflies filled my stomach. I remember taking off on my first wave, struggling against the stiff offshore tradewind as I blindly jumped to my feet. After the weightlessness of a long drop, an endless wall stretched out in front of me and I high-lined each section, trying to gain as much speed as my 6’ 7” single fin would allow. As an even bigger section loomed ahead of me, I pulled up high once again, but this time into the tube. My memory now sees it in slow motion, the lip folding over me as I battle to maintain my line, fighting to catch the view of the jungle, through the eye in distance . The wave eventually outran me, the foam ball tossing me up, over the falls and in the violence of the ensuing wipeout, my thin, cotton Bali pants, which I’d stupidly worn for protection, were ripped almost completely off. Fortunately, I was wearing a pair of speedos underneath, which saved me the embarrassment of surfing the rest of the session in the nude, because there was no way in hell that I was paddling in with the surf being as good as it was. When the guys from the yacht came out, one of them paddled up to me and asked if I was the guy that was wearing the long pants. He said they felt worried for us when they saw me paddling out in them, thinking we were just kooks that were going to get annihilated on the reef. We all traded waves, while dodging big double-ups on the outer ledge. It was one of those surfs you were glad to be sharing with a few people. That intense feeling of being just out of your comfort zone but loving every minute of it. It’s not often you go somewhere that you’ve never been before and score crazy, uncrowded waves that are right on your limit. A few of the guys on the boat were riding bigger boards and we felt so under gunned, on craft well under seven feet in length. We managed to catch some incredible rides though, probably some of the best waves of our lives up until that point. Being young and fearless, we never really paused to consider the dangers of surfing such heavy reef waves, so far from any real medical help. Our fishing boat wouldn’t be coming back for us for another week and the guys on the yacht would be leaving the next day. There was no such thing as a mobile phone back then or even a radio. This was the jungle and for the next six days it would be just us, surfing an otherwise empty G-Land lineup.

Another shot from that first surf at Money Trees. I distinctly remember thinking, I need a bigger board.

Boyum’s Blessing

Mike Boyum came to visit us at The Fishing Shack the very next morning and he was in a much better mood. We told him about our drinking-water issue, and he seemed genuinely concerned, so we asked him if he could sell us a few bottles to get us through the week, which he kindly did. Mike was staying at his camp with only one other person, his friend from Maui, Joe Mayolett, who helped run his camp, when he wasn’t there. Although we never saw him or his friend in the water, he told us we were lucky to score such a great swell so late in the season and that the ebb tides, which mostly covered the reef all day, were perfect for the Money Trees section. Our fortuitous timing allowing us to surf as often as three times a day.

We lived on rice and biscuits and a few meagre vegetables, and at night we slept on yoga mats with no mozzie nets, lathering ourselves in Aerogard, to ward off the risk of contracting malaria. It was a hard-core surf adventure but the waves absolutely pumped! The trips wading in and out over the reef on the lower tides took their toll on my flimsy booties, the sharp, live coral tearing holes in the soft neoprene. Someone had brought a needle and thread and of a night I would sit by the kerosene lamp and sew up all the holes. By the end of the trip, there was virtually nothing left to sew.

Our Indo crew suffering with sickness, after drinking from the contaminated water drum we brought over. In the background, Jay heartily consumes his lunch after a surf.

The swell remained solid, dropping slightly in size each day but retaining its perfect shape. We settled into a program where two of us would go surfing, while the other would stay behind for a while, to capture some Super 8 film of the session. Out in the surf, the reef was such a huge playing field and quite often, as your only companion took off and disappeared into the distance, you would find yourself all alone in the lineup. At other times you’d be flying down the line and all of a sudden see him paddling back out, both of you screaming at each other as you passed by. It was a surreal scenario, surfing such perfect waves with no one else in sight.

Jungle Myths

We woke up on the last morning, sore and surfed out. With our rationed water and food all but gone, we packed our gear and made our way back down the beach. As we passed Boyum’s camp, we noticed all the bamboo huts were empty. We would later learn that Mike’s tenure was over; kicked out of G-Land by the very same people he had persuaded to let him in. It seemed a shame, after he had fought so hard to gain permission to build his inaugural surf camp here in the jungle.

When we rounded the last headland, our colourful fishing boat with the weird, eggbeater outboard motor, sat all alone on the high tide. It was the only thing that pronounced a human presence, against an endless, jungle backdrop. The remains of Java Man, the first species to walk upright on earth 1.8 million years ago, were found on this very same island and curiously, Alas Purwo, the name of this National Park, means ‘Virgin Jungle or Forest.’ The Javanese believe this land was the first to rise from the sea, a mystical place where if a person was to destroy a tree or any living thing on this headland, they would suffer the wrath of ‘The Elders’ whose spirits inhabit the jungle. The early surfers who walked in and camped here, mentioned experiencing strange feelings and how the jungle sometimes seemed to be pulsating, or breathing.

Our Indo crew show off for the camera, as Jay & Jeremy enjoy the show.

Jay, Jeremy, and I weren’t the first to visit G-Land, far from it. We just came along at the perfect time after a hard-core crew paved the way. I was the only one of our trio that would come back again year after year throughout the 80s and beyond. Maybe being the only goofy-foot had something to do with that; I’m not sure. The following year in 1983, Mike’s good friend and Balinese understudy, Bobby Radiasa, took over the surf camp operation, which he still runs to this day. That year, only 12 surfers at a time were allowed permits to stay at the camp, but by the end of the decade there were permits for 100. These days there are four camps, a road, and power lines through the jungle. Guests typically arrive from Balivia a two-hour speedboat trip and stay in air-conditioned bungalows.

It’s a lot more crowded these days, sure, but those long winding lefts are still the same, and the creature comforts of a modern surf camp are gladly welcomed by this ageing surfer. Nothing will ever out-do that rugged first trip, but I still get excited when I book to come back. Hopefully, I have a few more trips to the jungle left in me yet.

Jungle Sunrise: I did a month in Bobby’s camp last year in August. I spent many pre-dawn, drone mission mornings, walking the winding jungle track, up to the ‘key hole’ to get this shot. There had been numerous leopard sightings throughout the season and any small noise I hear emanating from the misty jungle, sent shivers down my spine. I took this image on the very first morning and it proved to be the best one I got. The sunrise streaks of illuminated fog through the trees, strengthens the Alas Purwo Headland’s haunted and mystical reputation. Should have stayed safe in bed for the rest of the month after taking this one and saved myself the worry.
Camel: Around the late 90s, WA’s Geoff ‘Camel’ Goulden ruled G-Land. He had the surf guide’s job at Joyo’s Camp and whenever it got big, he showed everyone why. Camel rode these giant, old thick boards that he picked up second hand for a song. He wore a short sleeve steamer, he’d cut holes into, for reef protection, and wore a custom, hand made kevlar helmet and webbed gloves, which aided his giant wingspan in catching waves no one else wanted, or could get. He was often alone in the lineup when it got that big anyway, blowing everyone’s mind with a crazy wave all the way to the boat channel. Camel is definitely now part of G-Land folklore.
Washing Lines & Single Fins:1983. My second trip, and Bobby’s first year of operation. Parts of Boyum’s original structure can still be seen here; the half collapsed hut in the background with the orange tarp became Bobby’s first year kitchen area. There were 12 guests max this year, so things were still pretty chill in the lineup. Fish, rice and vegetables was the dinner menu and we had mozzie nets and decent mattresses, which were all butted up together cosily on the very low, second storey of our two level timber hut. Definitely an upgrade from my first trip. You just had to watch your head on the rafters.
Big Moneys: Taken in 1984, this is solid Money Tree Ledge on an outgoing tide. After a few trips to G-Land, I was starting to under stand swells and tides and how they affected the waves hitting the reef. You could say Money Tree’s is the main wave in G-land. It works on the dominant Southwest swells that push into Indonesia, as opposed to the heavier Speedies section down the end of the reef, which worksin the rarer south swells. They both work best when over six feet and higher tides. But Money Tree’s can handle lower tides as well some times, offering big double up barrels and open walls for turns.
The Start:1987. During the mid 80s I bought this short 1000mm Mirror Lens. It was perfect for travel and shooting G-Land, especially because the break is so far out. I also started shooting Slide Film, so I could put on slideshow nights for my friends when I got home. Slide film also happened to be what the magazines used, afact that was completely unbeknownst to me at the time. One of my friends, Tony Nolan who worked for Tracks, came along to a slideshow night. He asked me if he could take a few images in to the magazine and show them. And that’s how it all began.
Open Closet:1985. Cheeky shot of my girlfriend, Kim Harper (now Morris), in our hut as the golden, afternoon sun set over the bay. Kim came along on a few trips in those early days and fell in love with the reef and wildlife. She was good at roughing it for weeks in the jungle. By the mid 80s, more national park permits for surfers were issued and the camp grew along the beach with a half dozen or more simple,open bamboo structures. They also allowed for a bit more privacy, especially for females. The first few years were an ‘all in one box’ set up, left over from the original Mike Boyum camp.
Kelly At Speedies:1996. When the Quicksilver pro contest started in the mid 90s, I went into the Tracks office to try and convince them they needed a water photographer for the event. Joli would be there shooting from the boat, so they didn’t really need me, but I assured them they could get a different perspective if they had me there as well. I got the spot and went in two weeks early, just to get some surfing done, as I knew once the pro’s arrived I would have to concentrate on shooting. I was stoked to end up getting this early morning Speedies shot of Kelly, which made the cover.
Modern G-Land: 2022. Roads and powerlines might go in, and crowd numbers will probably increase, but barring some seismic catastrophe deep below the ocean floor, the wave will remain the same for many lifetimes. And when the seasons change and the trade winds begin to blow, and those long clean lines of swell refract around the edge of this ancient jungle headland, someone will be looking out from the tube, staring at the jungle. Sam Piter, modern Speed Reef surfing.
ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

Yago, Gabriel and Filipe on Brazilian rivalry, motivations and the new format.

Something a little different for Mase.

Highlights from our annual Bells pilgrimage as we prepare to hit the dance floor on the Gold Coast next.

Little Andaman is preparing to host its first-ever national surf comp as it hopes to make the island more accessible to everyone.

ADVERTISEMENT

PREMIUM FEATURES

With his dizzying acrobatics, focused ambition and astute demeanor; Dane Henry is rapidly emerging as the ultimate modern surfer.

West Australian photographer, Adam Serra, is hooked on shooting the waves and culture of this vibrant, Japanese city.

How two waves at a city beach made Tommy Myers a cult hero and helped complete his full circle journey as a pro-surfer.

Surfing’s ‘No Go’ zones have always been hotly debated.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks